With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by storm, now is a great time to look back at the cinematic legacy that precedes it.

Thus the German myth's appearance in Blue Angel makes it seem an Expressionist film. But the weight of this material, the subject of the film, should not obscure our view of Sternberg's treatment ...

What made this screening unique was the pairing of F.W Murnau’s German Expressionist film with music from Radiohead’s “Kid A” ...